sandbox
(2023–2024)
Performative installation
Created as part of the curriculum at the ‘The new dance academy’
Performative installation
Created as part of the curriculum at the ‘The new dance academy’
photo: Ilya Cherdakov / video: Olga Zapolskaya
”a child” is someone who is still allowed to talk with an inanimate stuffed animal as if it were not only an actual lifeform but also conscious.
(T.Morton)
sandbox — an environment, play, the essence of the artistic soul, memories, sand, animation, a layered cake, objects, representation of principles in action, meeting.
(1) A ritual of appropriating artistic essence while simultaneously engaging with that which is challenging to recall but possible to create.
(2) An invitation for a personal encounter in the space between a child's sandbox and an adult's stone garden.
(3) A manifestation of light and benevolence, serving as a reminder of the flexible perception of the world.
sandbox is a gentle reminder of a childish gaze and perception of reality, a manifestation of light and tranquility, an act of self-identification within this artistic realm.
(T.Morton)
sandbox — an environment, play, the essence of the artistic soul, memories, sand, animation, a layered cake, objects, representation of principles in action, meeting.
(1) A ritual of appropriating artistic essence while simultaneously engaging with that which is challenging to recall but possible to create.
(2) An invitation for a personal encounter in the space between a child's sandbox and an adult's stone garden.
(3) A manifestation of light and benevolence, serving as a reminder of the flexible perception of the world.
sandbox is a gentle reminder of a childish gaze and perception of reality, a manifestation of light and tranquility, an act of self-identification within this artistic realm.
Objects:
• Work suit;
• printed Scarf;
• Rope;
• Beads & rings ;
• postcards featuring a QR code linked to the website;
• Catalog website;
• Artifacts (a Kinder lion, driftwoods, photo).
• Work suit;
• printed Scarf;
• Rope;
• Beads & rings ;
• postcards featuring a QR code linked to the website;
• Catalog website;
• Artifacts (a Kinder lion, driftwoods, photo).
photo: Lera Molchanova
pieces of love
(2025)
33 objects of unconditional love made of transparent plastic
Specially for the performance ‘The salt of love’ of 'Nebyvalshina' project by Vadim Tishin in Eggz gallery.
33 objects of unconditional love made of transparent plastic
Specially for the performance ‘The salt of love’ of 'Nebyvalshina' project by Vadim Tishin in Eggz gallery.
photo: Vadim Tishin
Each owner of transparent heart has became a part of an universal message of unconditional love.
<3 <3 <3
Figures — scraps of paper, gently formed into hearts of different shapes.
Words — parts of a prayer for all living beings, placed in paper envelopes.
<3 <3 <3
Figures — scraps of paper, gently formed into hearts of different shapes.
Words — parts of a prayer for all living beings, placed in paper envelopes.
{‘the body of feeling’}
(2023–...)
Photographic research, series
Initiated during the practices of View.found (SPb)
Photographic research, series
Initiated during the practices of View.found (SPb)
‘my body is as alive as water, sand, wood, stones, grass, bacteria, clouds...
my embodiment is a resonant hum, the humid warmth of sweat, a dense vibration...’
What is the difference between the concepts of ‘Body’ and ‘Embodiment’?
And how are they intertwined?
How can I perceive the body (both my own and that of others) by solely engaging my visual perception?
In this exploration, I endeavor to unveil the visual interpretations of these terms through the lens of my personal experience, intertwining photographic discoveries and video art with journal entries addressing the body and reflections on embodiment, somatic experience, and insights into kinesiology and anatomy.
my embodiment is a resonant hum, the humid warmth of sweat, a dense vibration...’
What is the difference between the concepts of ‘Body’ and ‘Embodiment’?
And how are they intertwined?
How can I perceive the body (both my own and that of others) by solely engaging my visual perception?
In this exploration, I endeavor to unveil the visual interpretations of these terms through the lens of my personal experience, intertwining photographic discoveries and video art with journal entries addressing the body and reflections on embodiment, somatic experience, and insights into kinesiology and anatomy.
❁ ✱ ✾
Abstract objects / keychains for JM Flowers
(2024)
(2024)
( ❀ ✿ ❁ )
anthropo~mold * * * **(anthropogenic mold)
(2023)
Photo series
*the slipping form of interaction between human participants and agents of plastic fascia made with 3d-printer
Photo series
*the slipping form of interaction between human participants and agents of plastic fascia made with 3d-printer
— something has grown on me * * * * * **
The slipping form of interaction between human participants and agents of plastic fascia made with 3d-printer by Lena Sheina.
Research of finding common structures in the differences of volumes and textures, attempting to maintain communication amidst constant slippage and the fluidity of encounters
comments from this experience:
— thorns of interspecies communication
— something has grown on me
— unfold your elbows
The slipping form of interaction between human participants and agents of plastic fascia made with 3d-printer by Lena Sheina.
Research of finding common structures in the differences of volumes and textures, attempting to maintain communication amidst constant slippage and the fluidity of encounters
comments from this experience:
— thorns of interspecies communication
— something has grown on me
— unfold your elbows
figures:
Lena Sheina
performers:
Anna, Nastya, Sasha, Nastya.
series of photos was created during a lab at the festival of contemporary dance and exhibited in the sdvig space, spb
Lena Sheina
performers:
Anna, Nastya, Sasha, Nastya.
series of photos was created during a lab at the festival of contemporary dance and exhibited in the sdvig space, spb
© 2025 Victoria Kibe, All right reserved